<b>Druid theatre's economics: the first decade</b><br>

Autores

  • Shelley Troupe National University of Ireland Galway

DOI:

https://doi.org/10.5007/2175-8026.2010n58p459

Resumo

This article considers the relationship between Druid Theatre's productions and its administration during the company's first decade by investigating the links between three features:  the company's fundraising practices; Druid's infrastructure development in terms of personnel and physical space; and the organisation's programming choices.  Druid's artistic partnership with Irish playwright Tom Murphy is also examined as it assisted in launching Druid's international touring when Murphy's Conversations on a Homecoming was the first Druid production to travel outside of the United States/United Kingdom festival circuit.

Biografia do Autor

Shelley Troupe, National University of Ireland Galway

Shelley Troupe works as a PhD researcher studying The Internationalisation of Irish Theatre, 1975-2005, an inter-institutional project of the Irish Theatrical Diaspora.  Formerly an arts administrator, Ms. Troupe served as General Manager of the Irish Repertory Theatre and Administrator of the George Balanchine Foundation as well as Executive Director and Board Member of the National Asian American Theatre Company, all located in New York City.  She holds a BA in Speech Communication and Theatre from Albion College, Michigan; a MA in Arts Administration from Columbia University, New York; and a MPhil in Irish Theatre and Film from Trinity College, Dublin.  This paper and Ms. Troupe's research are made possible with a grant from the Irish Research Council for the Humanities and Social Sciences and support from The Moore Institute at the National University of Ireland, Galway.

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Publicado

2010-11-17

Edição

Seção

Artigos